8/26/2023 0 Comments Furby boom blue wavePowell is a gracious and emotional raconteur, while the clients’ and colleagues’ observations feel candid and wistful. When Peter Gabriel - who, as with all the marquee interviewees, from Paul McCartney, Roger Waters and David Gilmour to Robert Plant and Jimmy Page, is framed in shadowy black-and-white - said he wanted to both be on the cover and not be on it, the duo could translate that into evocative gold: the stunning raindrops-on-a-car image that immortalized Gabriel’s solo debut album.ĭirecting his first documentary feature, Corbijn, a longtime music photographer who made the Joy Division docudrama “Control,” is well suited to this material’s creative highs and human dimensions. Paul McCartney says that a new Beatles song will be available later this year thanks to the use of artificial intelligence and its work with John Lennon demo tapes. Music Paul McCartney says you can thank AI for ‘the last Beatles record’ (Gallagher also amusingly grouches about how covers have been reduced to phone-screen thumbnails, but with vinyl once more the music industry’s bestselling physical output, the time couldn’t be better for a look back like “Squaring the Circle.”) As Oasis frontman and interviewee Noel Gallagher aptly puts it, vinyl was the poor man’s art collection, the kind stacked on the floor instead of hung on the walls. The movie makes a convincing case that in the counterculture era between the first wave of portrait-centered LP covers and the early ’80s music video explosion, Hipgnosis wase as responsible as anyone in making visual creativity an iconographic extension of a given rock artist’s image and sound. Maybe nothing, maybe everything, according to Anton Corbijn’s highly entertaining documentary “Squaring the Circle (The Story of Hipgnosis),” which traces the impact of the beautifully confounding rock album cover - Pink Floyd’s star cow (“Atom Heart Mother”), Wings’ cheeky jailbreak (“Band on the Run”), Led Zeppelin’s mystic, tinted children (“Houses of the Holy”) - to the disruptive, sought-after British design outfit Hipgnosis: idea man Storm Thorgerson and photographer Aubrey “Po” Powell. You stared at that cover and drank in the album art, especially when it didn’t show the artist. (Don’t smudge it!) But once the warm analog sounds of your favorite band (or new discovery) wafted from your speakers, that cardboard sleeve wasn’t tossed aside. You rushed home, got the plastic off, let that waxy disc slide carefully out so it met your thumb at the edge and middle finger at the spindle hole. In the vinyl heyday, record-buying was a thrilling process.
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